Here’s a round-up of FlashForward tidbits from the last few days.

FlashForward was up in ratings from the previous week, as reported by TVByTheNumbers:

8-9pm: ABC freshman FlashForward finished second against its non-sports competition in the 8 o’clock hour to CBS’ veteran Survivor in Adults 18-49 (3.0/9), leading NBC’s comedies (Community/Parks and Recreation) by 50% (2.0/6). Among Adults 18-34 (2.5/8), FlashForward stood as the #1 non-sports program in hour, ranking as the top-rated series in the slot for the 5th week in a row. The ABC freshman led the hour overall with Women 18-34 for the 5th straight week. Despite increased competition in the hour week to week from baseball and Survivor, FlashForward increased its overall audience by 8% from the prior Thursday (9.8 million vs. 9.1 million).

FlashForward showrunner Marc Guggenheim has stepped down, leaving creator/EP David Goyer to ‘fly solo’ according to The Hollywood Reporter:

There’s been a change at the helm of another freshman drama recently picked up for a full season, ABC’s “FlashForward.”

Co-showrunner/executive producer Marc Guggenheim is leaving the series, with co-creator/exec producer David Goyer stepping in as sole showrunner.

The move follows a similar switch last week on CBS’ freshman drama “The Good Wife.” Showrunner/exec producer Dee Johnson, also brought in after the pilot, has departed, handing the reins to co-creators/exec producers Michelle and Robert King.

Because of Goyer’s limited hands-on TV series experience, “Eli Stone” co-creator Guggenheim was brought in after the “FlashForward” pilot to help with the launch of the mystery drama based on Robert Sawyer’s novel.

After learning the ropes in a co-showrunner capacity on the original 12-episode order of “FlashForward” alongside Guggenheim, Goyer will fly solo for the series’ back-nine order.

Guggenheim will focus on development under his overall deal with “FlashForward” producer ABC Studios.

TV Guide talk to Sonya Walger about what’s coming up on FlashForward:

TVGuide.com: Were you nervous about joining another mythology-heavy show?
Walger: No, not at all. It’s funny, I didn’t even think of Lost when I read that script. It sounds bizarre or naïve, but I really didn’t. I read the script and I was so excited by the writing and by this character, by this woman who is complicated and says ‘I hate you’ to her husband when she means ‘I love you.’ She’s a professional and a surgeon and a mother. I didn’t see any similarities to Lost. I honestly still don’t. I see them as big shows that have one big exciting event, the catalyst that gets it all going with an ensemble cast. I see that, but after that they just part ways. There isn’t a mythology to FlashForward in the same way. There’s not codes to decipher … There’s not islands moving and polar bears and smoke monsters, that’s not in our show … yet anyway.

TVGuide.com: Did you ever work with Dominic Monaghan on Lost?
Walger: This is the joke of me being a part of Lost, I haven’t met three-quarters of that cast. I’m not kidding. I would be as star-struck as you would be if I met Matthew Fox. I actually only met Dominic on a photo shoot for FlashForward — that was the first time we met. He comes into play in quite a significant way in this show. I can’t really tell you anymore than that. He’s a good part of it.

TVGuide.com: We haven’t seen all of Olivia’s flash-forward. What can you tease about what we haven’t seen?
Walger: In the flash-forward, the bit that you have seen is that Lloyd [Jack Davenport] gets up from the bed and gets a text message from someone. The person he gets a text message from is very, very unexpected.

TVGuide.com: Can Mark and Olivia’s marriage survive this flash-forward?
Walger: Who knows? I think it’s completely fascinating that just the ghost of this might be what undoes their marriage, or it might be what strengthens them and keeps them together. It might be the tension of it alone [that] drives Mark to drink. It’s such an interesting idea that just the threat of something might be what leads you towards it. It may well be that they get to a breaking point and then say, ‘No, this isn’t happening to us. We’re going to make this work.’

TVGuide.com: Do you have any personal belief in fate?
Walger: I don’t really. The word fate doesn’t really mean much to me in some ways. I think we make our own. Minute by minute you decide who you are and who you’re likely to be. You make the choices hour by hour, just in the present. I don’t believe there’s some roadmap laid out that we’re headed towards.

TVGuide.com: Give us a nice tease for what’s coming up for Olivia.
Walger: She’s going to be forced quite soon to deal with whether or not you can change the future. She keeps being reminded — evidence keeps being presented all around her — that you can’t change it. Every time she thinks she’s seen the last of Lloyd and that she’s managed to avoid it, he keeps coming back.

You can read the “LOST” part of the interview here.

A few people have been asking for the name of the song from the start of 1.04 Black Swan. It’s probably easier for us to post it here – the song was “It’s Oh So Quiet”" by Bjork. Here it is again:

httpvh://www.youtube.com/watch?v=NafNsKKfQ3E

Meanwhile, if forums are your thing, check out WeFlashForward for some great discussion on all things FF.

FlashForward scored 3.0 in the key demos and received more than 9 million viewers for episode 1.03 137 Sekunden. This is slightly down on last week but the baseball might have had something to do with that.

[source: tvbythenumbers]

FlashForward got off to a great start with over 12.4 million viewers tuning in to watch No More Good Days.

ABC’s series debut of FlashForward won the 8 o’clock hour in viewers and young adults, beating out CBS’ time-period veteran Survivor: Samoa by 11% in Adults 18-49.  FlashForward gained viewers and young adult audience throughout its telecast.

Despite its early time period, FlashForward was the #2 TV show of the night in AD18-49, topping both CSI and The Mentalist, and behind only Grey’s Anatomy.

In Total Viewers and Adults 18-49, FlashForward registered as the biggest drama premiere on any network in the 8 o’clock hour since January 2008 – since Fox’s debut of Sarah Conner Chronicles on 1/13/08, which had the enormous advantage of airing after an ultra-high-rated NFL playoff game on that night (Cowboys-NY Giants).